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Le Chapeau Epingle

Le Chapeau Epingle, 2nd Plate, Only State, Stone Lithograph in Colors on Arches Ingres Laid Paper, with the MBM (France) Watermark, c.1898, Plate: 23.6" x 19.2", Sheet: 35.5" x 24.25" (Full Margins), Published/printed by Ambroise Vollard/Auguste Clot, Paris

One of only 4 lithographic titles by Renoir printed using multiple colors.

Ref: Delteil/Stella 30

 

Pinning the Hat is one of Renoir’s most ambitious and intricate prints, created during the 1890s when color lithography was transitioning from its commercial roots to becoming a medium for artistic innovation. Renoir’s achievements in this technique were strongly influenced by two key figures: Ambroise Vollard, a Parisian art dealer and visionary print publisher, and Auguste Clot, a master lithographic printer who worked on many of Vollard’s editions. Vollard aimed to make art more accessible to collectors by producing high-quality prints using premium materials and expert craftsmanship.

To produce this work, Renoir began with a drawing on paper, which was transferred onto a lithographic stone. He then refined the image on the stone using lithographic ink. After printing this initial state, he hand-colored an impression with pastels to guide the printer in preparing the final color version. The completed print captures Renoir’s signature style, with its loose, textured strokes and vibrant, atmospheric hues. The subject—a scene Renoir also explored in a pastel, and an oil painting from 1893, and several etchings from 1894—depicts Julie, the daughter of fellow artist Berthe Morisot, adorning her cousin Paulette’s wide-brimmed hat with flowers.

 

SKU: M-RENOIR-124001 Artist: Tag:
Nicole Wolff
Gallery Director

About the Artist

Famed for his sensual nudes and charming depictions of women, Auguste Renoir (1841–1919) was a founding member of the Impressionist movement. Though he ceased exhibiting with the group after 1877, he later developed a monumental, classically inspired style that influenced artists like Pablo Picasso.

Renoir began his career as a porcelain painter before studying at the Louvre and under Charles Gleyre, where he met Monet, Bazille, and Sisley. While painting in the forest of Fontainebleau, Renoir remained committed to figure painting, influenced early on by Gustave Courbet's Realism. His collaboration with Monet at La Grenouillère in 1869 catalyzed the Impressionist aesthetic, defined by loose brushwork and a brightened palette.

Renoir’s works from the 1870s captured modern life, with iconic pieces like Dance at the Moulin de la Galette. Portraiture became a significant focus, earning him wealthy patrons and financial stability, particularly after the success of Madame Charpentier and Her Children at the 1879 Salon.

By the 1880s, Renoir sought a more structured style, inspired by the old masters. Travels to Italy deepened his admiration for Raphael, leading to crisply defined, sculptural figures, as seen in Reclining Nude. In the 1890s, his work softened, reflecting the coloristic traditions of Titian and Rubens, with notable pieces like Two Young Girls at the Piano.

Despite declining health in his later years, Renoir continued painting, exploring sculpture, and developing a late style characterized by warm tones and Rubenesque nudes. His final works, celebrated by Picasso and Matisse, exemplify his enduring vision of beauty and Mediterranean classicism, securing his place as one of France’s greatest modern painters.